immediate reality while the observer is able to palpably feel the imbedded movement. His ability to create one of his paintings in a short space of time and with great dynamic, he explained in a very simple way ́I have dealt with painting for a very, very long time in a very slowly and intensively way. emerging from the dynamic of the moment, enables him to strikingly ca`

The basis of his artistic creations is rooted in a decade-long altercation with the art of realism. He researched the technique of the old masters and appropriated them into his own intensive self-study. It was his first contact with watercolour that made him realise that working quickly – which he was almost forced to do when working outside as the colours dry so quickly – could give his stroke more momentum and therefore enormous dynamic. With the discovery of acrylic he was able to allow his solid basic knowledge of, not only the meticulousness and `heavy`art of oil painting but also the `light`and rapid technique of watercolour painting, to flow together to discover and develop his own style of Spontaneous Realism.